We just dropped a new Omnia into my trusty P-Bass and it’s an absolute monster. I’m all about that midrange growl with a touch of old-school saturation, and Till not only built the perfect pickup to give me exactly that plus the clarity to make every note punch through, he also wired it up with some killer options. The switch flips between a dark and a bright voicing, and the volume knob has a push/push to engage parallel mode. There’s no tone knob because who needs it anyways. Even tuned all the way down to A#, it stays tight, articulate, and full of punch. There’s no mud, just huge, defined tone that sits perfectly in the mix. Couldn’t be happier with how this turned out. Big thanks to Till for knowing exactly where the sweet spot is, making it happen, and being an all-around top notch human being. This one’s going to see a lot of stage time.
While we were at it, we also got Vincent a sibling for his Omnia, this time a neck pickup prototype, so the Soft Collapse solo will sound even more ✨lush✨ live.
gear: Buzz Hornet with Omnia B4 Splitcoil (A8)
SWOON
photo credit:
@noworkjusttalent
